Raymond Bisha delves into a new release of the first three of Petrassi’s concertos performed by the Orchestra Sinfonica di Roma and conducted by Francesco La Vecchia.
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Tine Thing Helseth, trumpet Radio Philharmonic Orchestra
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Anastasia Voltchok, piano Maria Gutierrez, moderation German Radio Philharmonic, orchestra
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Vivi Vassileva, percussion
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Lambert Orkis, Piano
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Wynton Marsalis, trumpet ORF Vienna Radio Symphony Orchestra Marin Alsop, conductor
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Spanish Radio Television Symphony Orchestra (ORTVE) Katharina Wincor, conductor

BARBER: Symphony No. 1 MUHLY: Trumpet Concerto REID: Today and today SIBELIUS: Symphony No. 7
Hannu Lintu is one of Finland’s most sought-after conductors and is rapidly creating an international career. He has been artistic director and chief conductor of the Tampere Philharmonic Orchestra 2009–2013, and also principal guest conductor of the RTE National Symphony Orchestra in Dublin. Before assuming the new rôle of chief conductor of the Finnish Radio Symphony Orchestra in 2013, he was the orchestra’s chief guest conductor in 2012. Hannu Lintu was previously chief conductor of the Turku Philharmonic Orchestra and artistic director of the Helsingborg Symphony Orchestra. He is a regular guest conductor with the Avanti! Chamber Orchestra in Finland and was artistic director of the orchestra’s Summer Sounds Festival in 2005.
Hannu Lintu studied the cello, the piano, and subsequently conducting with Jorma Panula at the Sibelius Academy. He participated in masterclasses with Myung-Whun Chung at the Accademia Chigiana in Siena, Italy, and won first prize in the Nordic Conducting Competition in Bergen in 1994. He has appeared with the Cincinnati Symphony, Indianapolis Symphony, St Louis Symphony, Toronto Symphony, City of Birmingham Symphony and Dallas Symphony orchestras, the Stuttgarter Philharmoniker, Orquesta Sinfonica de RTVE, Tokyo Metropolitan Symphony Orchestra, National Symphony Orchestra, Taiwan, and the Hong Kong Philharmonic, Seoul Philharmonic and Royal Flemish Philharmonic orchestras. He has also conducted a cycle of the complete Beethoven Symphonies with the Iceland Symphony Orchestra.

SIBELIUS: "Tapiola", symphonic poem op. 112 RACHMANINOFF: Piano Concerto No. 4 in G minor, op. 40 TCHAIKOVSKY: Symphoni No. 6 in B minor op. 74 "Pathétique”
Described by the Gramophone as ‘a pianist in full flower of his mature, imaginative artistry’ in 2022, Peter Jablonski is an award-winning internationally acclaimed Swedish artist. He is among the leading pianists of his generation, and during the last 30 years on international stages has performed with over 150 orchestras, given over 2,000 concerts, and has been on 25 tours of Japan. Discovered by Abbado and Ashkenazy and signed by Decca in his 17th year, he went on to perform, collaborate, and record with many of the world’s leading orchestras and conductors, which include the BBC Symphony Orchestra, Royal Philharmonic Orchestra, Royal Stockholm Philharmonic Orchestra, Leipzig Gewandhaus, Kirov (now Mariinsky), La Scala Philharmonic, Tonhalle Zurich, Orchestre Nationale de France, NHK Tokyo, DSO Berlin, Warsaw Philharmonic, Philadelphia, Los Angeles Philharmonic, and Cleveland Orchestra, Vladimir Ashkenazy, Valery Gergiev, Andris Nelsons, Daniel Harding, Kurt Sanderling, Esa-Pekka Salonen, Jukka-Pekka Saraste, Riccardo Chailly, Daniele Gatti, and Myung-Whun Chung.
He has appeared in concert and recitals in famous venues around the world, which include the Royal Festival Hall and the Barbican in London, Philharmonie Berlin, Suntory Hall Tokyo, Hollywood Bowl Los Angeles, Salle Pleyel Paris, Musikverein Vienna, Concertgebouw in Amsterdam, among many others.
He has performed and recorded the complete piano concertos by Beethoven, Tchaikovsky, Rachmaninov, and Bartók, and all piano sonatas by Prokofiev. During his three-decade-long career he developed a diverse repertoire that includes works by Barber, Gershwin, Szymanowski, Lutosławski, Copland, Stenhammar, with most recent additions of such composers as Alexey Stanchinsky, Ronald Stevenson, and Grażyna Bacewicz.
He worked with composers Witold Lutosławski and Arvo Pärt, and had a number of works composed for, and dedicated to him, including Wojciech Kilar’s Piano Concerto, for which he won the Orpheus award for the world premiere performance at the Warsaw Autumn Festival. He remains a supporter of today’s composers and regularly gives world premieres of new works.
Jablonski’s extensive discography includes recordings he has made for Decca, Deutsche Grammophon, Philips, Altara, Octavia, and Ondine labels. He has received numerous awards for his recordings, which include the Edison award for best concerto recording of Shostakovich’s First Piano Concerto, Rachmaninov’s Rhapsody on a Theme of Paganini, and Lutoslawski’s Paganini Rhapsody with Ashkenazy and RPO for Decca. He was presented with the Gramophone Classical Music Award for his Deutsche Grammophone recording of works by Cécile Chaminade with Anne Sofie von Otter and Bengt Forsberg.
He maintains a busy recording schedule, and his collaboration with Ondine has produced a number of well-received recordings. His recording of solo piano works by Grażyna Bacewicz was awarded the French Académie Charles Cros Award in December 2022, and it has been listed among best classical music and best solo piano recordings of 2022 in the Gramophone. Peter Jablonski is the recipient of the Litteris et Artibus medal for his servvices to culture, granted to him by the King of Sweden, Carl XVI Gustaf. He is also the winner of the prestigious prize Årets Svensk i Världen (International Swedish Personality of the Year), receiving it before ABBA and Astrid Lindgren. In May 2022 he was elected into the Royal Swedish Academy of Music. In 2023, Jablonski became the global ambassador for Karol Szymanowski, in a multi-year project run by the Institute of Adam Mickiewicz and music publisher PWM, during which he will perform Szymanowski’s piano works around the world, starting with the Wigmore Hall recital in September 2024.

Daniel Müller-Schott is one of the most sought-after cellists in the world and can be heard on all the great international concert stages. For many years he has been enchanting audiences as an ambassador for classical music in the 21st century. The New York Times refers to his ‘intensive expressiveness’ and describes him as a ‘fearless player with technique to burn’.
Müller-Schott guests with international leading orchestras—in the US with the orchestras in New York, Boston, Cleveland, Chicago, Philadelphia, San Francisco and Los Angeles; in Europe the Berliner Philharmoniker, the Gewandhausorchester Leipzig, Bayrisches Staatsorchester and Münchner Philharmoniker, the Radio Orchestras from Berlin, Munich, Frankfurt, Stuttgart, Leipzig and Hamburg, Copenhagen and Paris, Tonhalle-Orchester Zurich, the London Symphony and Philharmonic Orchestra, the City of Birmingham Symphony Orchestra, the Netherlands Philharmonic Orchestra, the Spanish National Orchestra as well as in Australia with the Sydney and Melbourne Symphony Orchestra and in Asia with Tokyo’s NHK Symphony Orchestra, Taiwan’s National Symphony Orchestra (NSO) and Seoul Philharmonic Orchestra. He has appeared worldwide in concert with such renowned conductors as Vladimir Ashkenazy, Thomas Dausgaard, Christoph Eschenbach, Iván Fischer, Alan Gilbert, Gustavo Gimeno, Bernard Haitink, Neeme Järvi, Karina Canellakis, Dmitrij Kitajenko, Susanna Mälkki, Andris Nelsons, Gianandrea Noseda, Andrés Orozco-Estrada, Kirill Petrenko, Michael Sanderling and Krzysztof Urbański. Many years of musical collaboration linked him with Kurt Masur, Lorin Maazel, Yakov Kreizberg and Sir André Previn.
In addition to performances of the great cello concertos, Daniel Müller-Schott has a special interest in discovering unknown works and extending the cello repertoire, including his own transcriptions and through cooperation with contemporary composers. Sir André Previn and Peter Ruzicka have dedicated cello concertos to him, which were premiered under the direction of the composers with the Gewandhausorchester Leipzig and the Kammerphilharmonie Bremen.
Daniel Müller-Schott receives Opus Klassik 2020 solo recording award

VASKS: Vientuļais eņģelis (Lonely Angel) MOZART: Violin Concerto No. 5 in A Major, K.219 ("Turkish") BRAHMS: Symphony No. 2 in D Major, op. 73
Baiba Skride’s natural approach to her music-making has endeared her to some of today’s most important conductors and orchestras worldwide. She is consistently invited for her refreshing interpretations, her sensitivity and delight in the music. The list of prestigious orchestras with whom she has worked include the Berliner Philharmoniker, Gewandhausorchester Leipzig, Boston and Chicago Symphony Orchestras, New York Philharmonic, Concertgebouworkest, Symphonieorchester des Bayerischen Rundfunks, Orchestre de Paris, London Symphony Orchestra, London Philharmonic Orchestra, Shanghai Symphony Orchestra and NHK Symphony. Notable conductors she collaborates with include Marin Alsop, Christoph Eschenbach, Edward Gardner, Susanna Mälkki, Andris Nelsons, Andrés Orozco-Estrada, Santtu-Matias Rouvali, Andris Poga, Yannick Nézet-Séguin, Tugan Sokhiev, John Storgårds and Juraj Valcuha.
Skride was born into a musical Latvian family in Riga where she began her studies, transferring in 1995 to the Conservatory of Music and Theatre in Rostock. In 2001 she won the first prize of the Queen Elisabeth Competition. Baiba Skride plays the Yfrah Neaman Stradivarius kindly loaned to her by the Neaman family through the Beare’s International Violin Society.